




A Film by Brandt Goodman
I’ve always wanted to be a filmmaker. Movies, home videos and storytelling have shaped how I see the world for as long as I can remember.
Weddings are where that dream becomes something real. For one of the most meaningful days in someone’s life, I get to be their filmmaker. Present for the moments that matter, preserving a fleeting day into something lasting.
In a world that moves fast and lives online, I’m drawn to film and analog formats because they slow things down and bring intention back into the moment. Whether captured on Super 8, digital or a blend of both, at 1920 Video Weddings, the goal is always the same.
To preserve a love story on film.
My Style + The Way I Work
I approach weddings as cinematic documentaries. I observe more than I direct, allowing the day to unfold naturally rather than staging moments or interrupting what’s happening.
On the day, I stay close but out of the way. I’m paying attention to light, movement and emotion as they happen, especially the quiet moments that often go unnoticed. I want you to feel present with the people you love, not aware of a camera.
The films themselves are romantic, lived in and intentional. They’re paced to reflect the day as it felt, not rushed or overly produced. The goal is something that feels honest and timeless, a film that becomes more meaningful the longer you live with it.

Why Super 8?
In a world where images are endless and disposable, film asks for intention. It can’t be rushed, overshot or redone. Each moment matters because it only happens once. That limitation brings focus, presence and care to the day.
Every wedding I film includes film because it shapes the way the day is experienced and remembered. It slows things down, gives weight to moments and turns memory into something tangible and lasting.
I don’t use film for nostalgia alone. I use it because it changes the process itself. It helps turn a fleeting day into an heirloom, something that can be returned to, shared, and passed down over time.

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